More views of the latest mass shooting from around the net.
James Garbarino, professor of psychology at Loyola University Chicago.
“What is most striking about killers is that for the most part, crazy or sane, they believe their acts of violence are justified. Rodger believed he was right to bring death to pretty women who had rejected him and all the others who he felt had treated him unjustly. In this he is like so many killers I have interviewed.
There is widespread justification for violence as a tactic in America. For example, no society that imposes the death penalty can be said to be “nonviolent” in its core beliefs.”
Norm Pattis, a criminal defense and civil rights lawyer
“Elliot Rodgers looks less like a victim of mental illness than he does the Culture of Narcissism coming to its logical extreme. If all we are is the sum of our desires, then desire frustrated is the apocalypse. We should worry less about this young man’s mental illness and more about the social malaise that made him possible.”
“We can point to all the warning signs we missed. But they’re yellow flags. They’re not red flags until blood is spilled,” said James Alan Fox, a criminal justice professor at Northeastern University who has written several books on mass murders.
“In a statement to the press, family attorney Alan Shifman spoke on behalf of Elliot Rodger’s father and said of Elliot, “This CHILD was being treated by MULTIPLE professionals. The CHILD was diagnosed at an earlier age of being a highly functional Asperger’s syndrome child.”
Mr. Shifman emphasized the words I’ve put in caps, not doing a very good job of concealing his desire to infantilize and stigmatize Mr. Rodger, because a “crazy Asperger’s kid” is easier translated to “senseless killing” than a 22-year old with a deep-seated hatred of women. The problem is that when you look at the larger issues at hand, unfortunately the senselessness begins to make a little more sense.”
“Rodger grew up in the shadow of Hollywood, a place where terms like “trophy wife” and “arm candy” and “casting couch” are thrown around withglib abandon. It’s a culture that has mainstreamed the notion that women are accessories, party favors, tools for sexual release, not just behind the scenes, but in front of it, particularly within the genres most likely to shape the worldview of young males.
How many “coming of age” movies have supported the idea of loss of virginity as a rite of passage, and used lack of sexual experience as code for subnormal masculinity? How many have underscored the status divide between sexually active jocks, bros and studs and socially invalidated, sexually frustrated nerds, freaks and geeks? I’ve admittedly watched—and enjoyed—many of them myself, from vintage entries like Fast Times at Ridgemont High and Revenge of the Nerds to more recent ones like American Pie and Superbad.”